And nothing more

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D i e d   A   B r i d e

Chestnut Hill Cemetery

Salisbury, North Carolina

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Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore --

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door --

Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; -- vainly I had sought to borrow

From my books surcease of sorrow -- sorrow for the lost Lenore --

For the rare and radiant maiden whom the angels name Lenore --

Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain

Thrilled me -- filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating

“’Tis some visitor entreating entrance at my chamber door --

Some late visitor entreating entrance at my chamber door; --

This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,

“Sir,” said I, “or Madam, truly your forgiveness I implore;

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you” -- here I opened wide the door; --

Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

This I whispered, and an echo murmured back the word, “Lenore!” --

Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

“Surely,” said I, “surely that is something at my window lattice;

Let me see, then, what thereat is, and this mystery explore --

Let my heart be still a moment and this mystery explore; --

’Tis the wind and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately Raven of the saintly days of yore;

Not the least obeisance made he; not a minute stopped or stayed he;

But, with mien of lord or lady, perched above my chamber door --

Perched upon a bust of Pallas just above my chamber door --

Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,

Ghastly grim and ancient Raven wandering from the Nightly shore --

Tell me what thy lordly name is on the Night’s Plutonian shore!”

Quoth the Raven “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning -- little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blessed with seeing bird above his chamber door --

Bird or beast upon the sculptured bust above his chamber door,

With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

Nothing further then he uttered -- not a feather then he fluttered --

Till I scarcely more than muttered “Other friends have flown before --

On the morrow he will leave me, as my Hopes have flown before.”

Then the bird said “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,

“Doubtless,” said I, “what it utters is its only stock and store

Caught from some unhappy master whom unmerciful Disaster

Followed fast and followed faster till his songs one burden bore --

Till the dirges of his Hope that melancholy burden bore

Of ‘Never -- nevermore’.”

But the Raven still beguiling all my fancy into smiling,

Straight I wheeled a cushioned seat in front of bird, and bust and door;

Then, upon the velvet sinking, I betook myself to linking

Fancy unto fancy, thinking what this ominous bird of yore --

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom’s core;

This and more I sat divining, with my head at ease reclining

On the cushion’s velvet lining that the lamp-light gloated o’er,

But whose velvet-violet lining with the lamp-light gloating o’er,

She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

“Wretch,” I cried, “thy God hath lent thee -- by these angels he hath sent thee

Respite -- respite and nepenthe from thy memories of Lenore;

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”

Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil! -- prophet still, if bird or devil! --

Whether Tempter sent, or whether tempest tossed thee here ashore,

Desolate yet all undaunted, on this desert land enchanted --

On this home by Horror haunted -- tell me truly, I implore --

Is there -- is there balm in Gilead? -- tell me -- tell me, I implore!”

Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil! -- prophet still, if bird or devil!

By that Heaven that bends above us -- by that God we both adore --

Tell this soul with sorrow laden if, within the distant Aidenn,

It shall clasp a sainted maiden whom the angels name Lenore --

Clasp a rare and radiant maiden whom the angels name Lenore.”

Quoth the Raven “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting --

“Get thee back into the tempest and the Night’s Plutonian shore!

Leave no black plume as a token of that lie thy soul hath spoken!

Leave my loneliness unbroken! -- quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!”

Quoth the Raven “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

And his eyes have all the seeming of a demon’s that is dreaming,

And the lamp-light o’er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

Shall be lifted -- nevermore!

= Edgar Allan Poe =

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Happy Wednesday

One last pale wave

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I t ' s   A l l   D o w n h i l l   F r o m   H e r e

Chestnut Hill Cemetery

Salisbury, North Carolina

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In the season leaves should love,
since it gives them leave to move
through the wind, towards the ground
they were watching while they hung,
legend says there is a seam
stitching darkness like a name.

Now when dying grasses veil
earth from the sky in one last pale
wave, as autumn dies to bring
winter back, and then the spring,
we who die ourselves can peel
back another kind of veil

that hangs among us like thick smoke.
Tonight at last I feel it shake.
I feel the nights stretching away
thousands long behind the days
till they reach the darkness where
all of me is ancestor.

I move my hand and feel a touch
move with me, and when I brush
my own mind across another,
I am with my mother's mother.
Sure as footsteps in my waiting
self, I find her, and she brings

arms that carry answers for me,
intimate, a waiting bounty.
"Carry me." She leaves this trail
through a shudder of the veil,
and leaves, like amber where she stays,
a gift for her perpetual gaze.

= Annie Finch =

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Happy Tuesday

Ice forms in the shadows

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S u d d e n l y   Y o u ' r e   G o l d e r

Front Yard White Oak

Columbia, South Carolina

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In the years to come they will say,
“They fell like the leaves
In the autumn of nineteen thirty-nine.”
November has come to the forest,
To the meadows where we picked the cyclamen.
The year fades with the white frost
On the brown sedge in the hazy meadows,
Where the deer tracks were black in the morning.
Ice forms in the shadows;
Disheveled maples hang over the water;
Deep gold sunlight glistens on the shrunken stream.
Somnolent trout move through pillars of brown and gold.
The yellow maple leaves eddy above them,
The glittering leaves of the cottonwood,
The olive, velvety alder leaves,
The scarlet dogwood leaves,
Most poignant of all.

In the afternoon thin blades of cloud
Move over the mountains;
The storm clouds follow them;
Fine rain falls without wind.
The forest is filled with wet resonant silence.
When the rain pauses the clouds
Cling to the cliffs and the waterfalls.
In the evening the wind changes;
Snow falls in the sunset.
We stand in the snowy twilight
And watch the moon rise in a breach of cloud.
Between the black pines lie narrow bands of moonlight,
Glimmering with floating snow.
An owl cries in the sifting darkness.
The moon has a sheen like a glacier.

= Kenneth Rexroth =

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Happy Monday

My song shall never end

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T i l l   A n g e l s   B i d   U s   R i s e

Circular Congregational Church Graveyard

Charleston, South Carolina

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Someday this stamm'ring tongue will falter no more

And a grander, sweeter song I shall sing

Then I'll join the ransomed choir on heaven's bright shore

Forever to praise the King.

And while the ages roll, I'll keep on praising Him

And my voice shall never tire or grow old

And my song shall ever be

Praise the Lamb Who died for me

And I'll sing it while ages shall roll.

When a million years have passed in that wonderful place

My song of praise will just have begun

And my song shall never end while I look on His face

And my song will never be done.

And while the ages roll, I'll keep on praising Him

And my voice shall never tire or grow old

And my song shall ever be

Priase the Lamb Who died for me

And I'll sing it while ages shall roll.

= Mosie Lister =

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Blessing, and honour, and glory, and power, be unto him

that sitteth upon the throne, and unto the Lamb

forever and ever.

Revelation 5:13b

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Happy Sunday

Yourself forgot to live

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H a n d y   W i t h   A   W r e a t h

Riverside Cemetery

Asheville, North Carolina

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Because that you are going

And never coming back

And I, however absolute,

May overlook your Track --

Because that Death is final,

However first it be,

This instant be suspended

Above Mortality --

Significance that each has lived

The other to detect

Discovery not God himself

Could now annihilate

Eternity, Presumption

The instant I perceive

That you, who were Existence

Yourself forgot to live --

The "Life that is" will then have been

A thing I never knew --

As Paradise fictitious

Until the Realm of you --

The "Life that is to be," to me,

A Residence too plain

Unless in my Redeemer's Face

I recognize your own --

Of Immortality who doubts

He may exchange with me

Curtailed by your obscuring Face

Of everything but He --

Of Heaven and Hell I also yield

The Right to reprehend

To whoso would commute this Face

For his less priceless Friend.

If "God is Love" as he admits

We think that he must be

Because he is a "jealous God"

He tells us certainly

If "All is possible with" him

As he besides concedes

He will refund us finally

Our confiscated Gods --

= Emily Dickinson =

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Happy Saturday