Ecstatically shooting everything in sight with my beloved Nikon D3100 with razor-sharp AF-S DX Nikkor 18-55mm 1:3.5-5.6G VR lens ... a gift from my family for Christmas 2010.
God is our refuge and strength, a very present help in trouble. Therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea; Though the waters thereof roar and be troubled, though the mountains shake with the swelling thereof. Selah.
There is a river, the streams whereof shall make glad the city of God, the holy place of the tabernacles of the most High. God is in the midst of her; she shall not be moved: God shall help her, and that right early. The heathen raged, the kindgoms were moved: he uttered his voice, the earth melted. The Lord of hosts is with us; the God of Jacob is our refuge.
Come, behold the works of the Lord, what desolations he hath made in the earth. He maketh wars to cease unto the end of the earth; he breaketh the bow, and cutteth the spear in sunder; he burneth the chariot in the fire.
Be still, and know that I am God: I will be exalted among the heathen, I will be exalted in the earth. The Lord of hosts is with us; the God of Jacob is our refuge.
Psalm 46
Freedom is a fragile thing and is never more than one generation away from extinction. It is not ours by inheritance; it must be fought for and defended constantly by each generation, for it comes only once to a people. Those who have known freedom and then lost it, have never known it again.
You've got to love handsome men spouting classic prose and poetry. Two examples come to mind.
Recently I was watching the last half of one of my favorite "old" movies: Born Yesterday (1950) starring William Holden (yum), Judy Holliday, and Broderick Crawford.
One of my most-anticipated parts of that movie comes when Billie asks Paul to elaborate for her the meaning of Robert Ingersoll's essay After Visiting the Tomb of Napoleon. Without preamble, cute as a button in his eyeglasses, William Holden reflectively recites:
And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky, with my children upon my knee and their arms about me. I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder known as Napoleon the Great.
Thrilling! And so pertinent.
William Cullen Bryant was nineteen when he wrote that!
My beloved Uncle Sherrill is very sick in the hospital right now, in Louisiana. I was thinking about him the other day and remembered when, years ago, he flawlessly quoted for me all 641 words of William Cullen Bryant's immortal Thanatopsis:
To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder and grow sick at heart; --
Go forth, under the open sky, and list
To Nature's teachings, while from all around --
Earth and her waters, and the depths of air --
Comes a still voice --
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourish'd thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock,
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world -- with kings,
The powerful of the earth -- the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribb'd and ancient as the sun, -- the vales
Stretching in pensive quietness between;
The venerable woods; rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, pour'd round all,
Old Ocean's grey and melancholy waste, --
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom. --Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon and hears no sound
Save his own dashings -- yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep -- the dead reign there alone.
So shalt thou rest: and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favourite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glides away, the sons of men,
The youth in life's green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man --
Shall one by one be gathered to thy side
By those who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan which moves
To that mysterious realm where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged by his dungeon; but, sustain'd and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
William Cullen Bryant was nineteen years old when he wrote that!
And just because they're so beautiful, here are Robert Frost's immortal eight lines in Iambic Trimeter:
Nature's first green is gold, Her hardest hue to hold. Her early leaf's a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.
There's hardly a stranger case in the rock era than Laura Nyro's. There have been many performers who said they were going to make their statement, collect their money and get out before they were thrown out, but Nyro really did it. She didn't quit for a few years and then stage a big, media-sweeping comeback. She didn't wait until she'd lost her following or her record deal and then head for the hills....
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With an abundance of Lifetime/Promise Ring rip-off bands crawling out from under every suburban nook and cranny, one can't help but suffer from poppy-emo overkill and pray that something else will come up and shift the indie genre into a completely different direction. But then there are bands like A New Found Glory who pull out all the right hooks and harmonies that the hope of bands maintaining a "energetic, sensitive, and happy" tone will remain. A New Found Glory are all about reminiscing about the days of walking to the beach, holding hands with a loved one while loudly singing Michael Jackson's "Thriller." They're all about making mix tapes and anonymously sending it to that special someone. But they're also about trying to pick up the pieces of a shattered relationship by writing a song about it. Also making the moments on Nothing Gold Can Stay is that it doesn't cross that line where you want to scream into the stereo "get over it!" Instead, you just sit back, listen, and relate to their heartfelt days of love lost and found.
Nature's first green is gold, Her hardest hue to hold, Her early leaf's a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.
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Reader Comments (6)
There's hardly a stranger case in the rock era than Laura Nyro's. There have been many performers who said they were going to make their statement, collect their money and get out before they were thrown out, but Nyro really did it. She didn't quit for a few years and then stage a big, media-sweeping comeback. She didn't wait until she'd lost her following or her record deal and then head for the hills....
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With an abundance of Lifetime/Promise Ring rip-off bands crawling out from under every suburban nook and cranny, one can't help but suffer from poppy-emo overkill and pray that something else will come up and shift the indie genre into a completely different direction. But then there are bands like A New Found Glory who pull out all the right hooks and harmonies that the hope of bands maintaining a "energetic, sensitive, and happy" tone will remain. A New Found Glory are all about reminiscing about the days of walking to the beach, holding hands with a loved one while loudly singing Michael Jackson's "Thriller." They're all about making mix tapes and anonymously sending it to that special someone. But they're also about trying to pick up the pieces of a shattered relationship by writing a song about it. Also making the moments on Nothing Gold Can Stay is that it doesn't cross that line where you want to scream into the stereo "get over it!" Instead, you just sit back, listen, and relate to their heartfelt days of love lost and found.
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Nature's first green is gold,
Her hardest hue to hold,
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
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